Cleopatra's Banquet by Tiepolo

Cleopatra's Banquet by Tiepolo
Cleopatra's Banquet by Tiepolo
Anonim

These frescoes by Giovanni Battista Tiépolo in the Palace of Labia in Venice towards 1757, are an excellent example of the work as a painter and decorator of great palaces that he did throughout his life. In fact, his ability for this type of work was such that his services were requested in different places of Europe, since in addition to his Italynative, he also made this type of murals in Germany or in Spain.

Tiepolo's Cleopatra's Banquet

Tiepolo's Cleopatra's Banquet

The truth is that during the 18th century there were several Italian artists who were extraordinarily valued by the highest classes of European society to decorate the interiors of their palaces, mansions and recreational villas. And not only in civil buildings, they also went to monasteries far away from Italy, as is the case of the Melk Monastery on the banks of the Danube in its Austrian section.

However, among all that plethora of Italian artists, the case ofTiépolois special, since he is one of the most superb painters of his time.

In this case we see its decoration of a Venetian palace. The theme based on Antiquity, luxury, love and power, allowed the artist to show his wide repertoire of colors and pictorial resources, until he generated a most sumptuous fresco.

The scene usshows the Feast of Cleopatra. That is, the lavish feast given by the Roman Marco Antonio in honor of the queen of Egypt. According to legend, Antony had her entertained with endless tasty and succulent dishes, but nevertheless, her beloved Egyptian monarch was not at all impressed by such pageantry and dedication. He more than nearly scorned her efforts, telling her that she would create a dish far more expensive than any she had been served. It was then that he removed a huge pearl that she wore in her earrings, poured it into a glass of vinegar and dissolved it. After that he drank it.

Precisely Tiepolo's wall painting shows us the moment in whichCleopatrashows her pearl between her fingers and a black servant approaches with a glass of crystal to dissolve it.

Stylistically, this work and all of Tiepolo's creations, whether religious in nature such as the Adoration of the Magi, or civil in nature such as the image of Venice that pays homage to Neptune, shows us as an artist of his time, from late baroque, already practically imbued with the forms of Rococó. That is why it is about paintings with generally very happy themes, and above all scenes that are very easy to see, in which I am sure that the artist himself had a great time while he was doing them.

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