Tutankhamun is welcomed by Osiris

Tutankhamun is welcomed by Osiris
Tutankhamun is welcomed by Osiris
Anonim

The discovery of the tomb of Pharaoh Tutankhamun in the Valley of the Kings near the city of Thebes in Egypt was a milestone for the history of archeology in general and for learning about the culture of Ancient Egypt in particular. There appeared such valuable objects as the Pharaoh's Throne or his famous death mask, found in an excellent state of preservation along with the mummy.

Tuntankhamun is welcomed by Osiris

Tuntankhamun is welcomed by Osiris

But in reality it is worth highlighting the whole complex of the pharaonic tomb, made between 1357 and 1349 before Christ. To get an idea of ​​such a discovery, it is best to refer to the words of Howard Carter, the discovering archaeologist: “… when my eyes adapted to the light, slowly emerging from the darkness were the interior camera details; strange animals, statues, and gold everywhere, the glitter of gold.”

On each of the walls of the burial chamber, mural paintings by an unknown author were discovered. They are paintings with a marked narrative character, which relate from the moment of the pharaoh's death to his entry into the afterlife.

They are ritual paintings, so it was not important that the characters be true portraits, specifically the images of the pharaoh. In fact, Tutankhamun died very young and hisHis he alth was always quite bad, despite this, here he appears to us as a very he althy, strong and happy person, which he never was in life. The truth is that paintings were very important in Egyptian life. And they were even much more than a mere decoration or narration in the case of the tombs, they had a key role so that the deceased finally carried out their transit to the afterlife. Perhaps for this reason, these paintings have a certain brown discoloration, because it is very possible that the young pharaoh died earlier than expected and was buried so quickly that the pictorial set had not had time to dry completely.

Ancient Egyptian painters had a fairly limited color palette. And each of those colors had its own symbolic value. It is known that black represented death and the afterlife, while golden or yellow tones were the materialization of the sun and its life-giving power. At the same time white was the symbol of purity and also of power. Blue and green were the representation of nature, that is, water, sky and vegetation, and therefore represented the new life that awaited after death. And as for red, it came to signify vital force and victory, but also blood. That is to say, a whole code of which historians can only make speculations more or less based on the historical reality of that distant and enigmatic moment.

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