The Three Shadows of Rodin

The Three Shadows of Rodin
The Three Shadows of Rodin
Anonim

This sculptural group made of bronze and reaching a height of nearly one meter, was modeled by the French artist Auguste Rodin to crown the top of his famous Gates of Hell. But these three individualized and larger figures can be seen at the Rodin Museum in Paris.

The Three Shadows of Rodin

The Three Shadows of Rodin

Obviously these are three male figures that, compared to other works of art by this author, do not have excessively deep muscular treatment, as can be seen in his emblematic work of The Thinker. But on the other hand, Las Tres Sombras are figures that show great continuity, with the aim of achieving a very fluid impact of light on their bodies. That is to say, an effect quite similar to what was done in those same years, the work was done in 1880, by the impressionist painters of the stature of Renoir or Monet, although of course with the determining factors and differences between the two artistic disciplines, painting and sculpture.

Another very interesting note of this work is that Rodin shows us here as a creator much more concerned with proportions than with the correctness of forms. In fact, the excessive elongation of both the shoulders and the necks gives the impression that they are deformed figures.

The group can be interpreted asa masculine response to the classic art image of the Three Graces, painted by artists like Rubens in his Prado painting or Botticelli inside his work La Primavera. And even sculptors like Antonio Canova also made their own interpretation of the Three Graces.

In fact, these types of representations usually have a similar compositional structure based on the postures of the figures and a certain symmetry, although Rodin in his particular revision has created an individual movement for each of the figures.

Something very curious considering that here the three figures are rigorously identical to each other. The only thing that varies is its position, which, on the other hand, means that at a single glance we can see the same figure from three different angles and points of view. And on the other hand, even then no effect of symmetry is produced. On the contrary, they seem varied and lively.

This formula of repetitive groupings was practicedby Rodinon several occasions, and is considered one of his most daring achievements in the history of sculpture

But the Three Shadows must also be understood within the set of the Gates of Hell. For this reason, his dejected posture is related to the phrase with which Dante Alighieri, inspirer of the gates, presents hell itself:

“Abandon all hope, you who are here.”

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