Dufy's Ascot Lithograph

Dufy's Ascot Lithograph
Dufy's Ascot Lithograph
Anonim

Horses, and specifically racecourses and their races, have been the object of attention of many painters, such as Edgar Degas or Georges Stubbs, the first fascinated by trying to capture the movement and speed of these animals, thus taking up a theme that had already begun years before Gericault, with works such as The Epsom Derby. While the second,Stubbs, was a true specialist in painting racehorses, to which he even made personalized portraits, as is the case of his work dedicated to Whistlejacket.

Dufy's Ascot

Dufy's Ascot

Dufy is another of the artists who has left us a multitude of works set in horse racing, but his interest was not in the derby itself, nor in the riders, nor in the anatomy and movements of the mounts. He was more interested in taking snapshots of the richest characters of his time.

Raoul Dufy became fond of going to the racecourses almost by chance, since it was in 1923 when a client of his, a silk businessman, suggested that he go to the races to see what the ladies were wearing, and so he could be inspired for his drawings on the fabrics.

From that moment he became a regular, both in France, where he regularly went to Deauville or Longchamps , as in Great Britain where the famous racecourse ofAscot which he presents to us in this lithograph, but which he also painted on numerous canvases.

In many of these works he presents us with the moments prior to the race itself, when the horses that are going to compete parade before the spectators. Although, those bourgeois and aristocrats also parade with their elegant suits, their top hats and their hats, a tradition that continues today. Dufy shows us that they are completely uninterested in the animals and more concerned with being seen by the rest of the audience.

And pictorially, it is an ideal subject for his loose brushstrokes and the prominence he gives to color, something that is even more appreciated in his canvases such as the Henley Regatta (also made in the United Kingdom) or in the Posters of Trouville. And as always the framing and his technique are worked as if it were a photograph of that specific moment.

Another characteristic factor of Dufy is his capacity for simplification, to rearrange everything and omit any element that he does not think is necessary. Like for example, since his interest is in the fashion of the figures and their aptitudes and interrelationships, he wastes no time in defining the features on the faces of those characters.

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