Claude Lorrain's Country Party

Claude Lorrain's Country Party
Claude Lorrain's Country Party
Anonim

This oil painting dates from 1639, when it was made by the French painter of the Baroque Claude Lorrain, whose name was Claude Gelle.

Actually, he performed several versions of this same theme of theCountry PartyorVillage Party, as they appear in the different catalogs. And of these different versions, two of them are recorded in the Liber Veritatis, a kind of notebook or record book where this artist drew the paintings he had made and sold. In other words, a very valuable document for researchers and that is currently kept in the British Museum in London.

Claude Lorrain's Country Party

Claude Lorrain's Country Party

It is also known that Claude Lorrain painted this view as a companion to another work, en titled Seaport at sunset.

The theme itself is recurrent throughout the history of art, since there are many painters who have made images of the same style throughout the centuries and each one with the historical constraints of their time and their local styles. In other words, works such as the Country Concert by the Italian Renaissance painter Tiziano, or The Dance of the Peasants by the Baroque and Flemish artist Rubens could be integrated into this group..

And in the case of Lorrain is that the theme of the sweet party in theNature was a subject that attracted him a lot, since it reminded him of old myths from the so-called Golden Age in which the people were supposed to keep the simplest virtues, and the artists captured it in a situation as idyllic as this image.

The influence of Flemish painting is absolutely undeniable, with very characteristic compositional details such as placing trees in the center of the scene, and giving the feeling of distance both to the left and right of the composition. And in this case to harmoniously unite the meadow where the characters are, as the distance places a bridge as a link.

It is curious to appreciate that in this work the way of painting the landscape and the figures is very unitary, so it is thought that in this case it was the same person who painted the figures. Something that is not very common in his works, since Claude Lorrain considered that the important thing in his painting was the landscape, whether natural or urban, while the characters and figures were something totally secondary. For that reason he used to resort to the collaboration of other painters to paint the humans in his paintings.

Popular topic