Richard Hamilton pin-up

Richard Hamilton pin-up
Richard Hamilton pin-up
Anonim

The British Richard Hamilton (1922 – 2011) was one of the founders of Pop Art in his country, and of course he is one of the greatest exponents of this style, not only in Great Britain, but also in all of Europe. And it is thanks to works like this peculiar image titledPin-upthat he made in 1961 and that currently hangs in the halls of theMuseum of Modern Art of New York. A MoMA where are the works of the most charismatic artists of this style such as Andy Warhol or Roy Lichtenstein, among others.

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Richard Hamilton pin-up

However, there are differences between British and American Pop Art. In fact,Hamiltondefined in his style several of the key concepts of the prevailing consumer culture at the time. For him, everything popular was intended for the masses, what was ephemeral was only a short-term solution, while what was disposable above all was easily forgettable. In addition, this modern consumer culture tended towards everything that was young, made in series, had a certain wit, was sexy, gimmicky and glamorous, in addition to implicitly carrying the business idea.

Somehow, all of this is summed up in one of his most emblematic works: But what makes today's homes so different, so attractive?

Interestingly Hamilton thought he had to deal with all of that with his art.And that is the spirit that surrounds his Pin-up. Of course, taking advantage of everything that modern and popular culture offers you. For this peculiar nude, for example, he resorts to being inspired by what he calls "photos of girls", both those of category and sophistication that appear in a publication such as Play Boy, as well as other more vulgar magazines it qualifies as junk.

But at the same time he intends to make references to great works of art history, since there have always been female nudes in painting or sculpture from previous centuries. In fact, Hamilton himself wanted to remember a Renoir nude with this work or the famous odalisques that, among other painters, he had painted Ingres.

Her goal for him was to use all of that to come up with a modern treatment of the nude. And to achieve this he resorts to various techniques, using oil, cellulose or collages. If you look closely, the woman's hair is reminiscent of cartoons, while her chest is both in drawing and in volume. And the bra is a collage of a pasted photo. Like a good pin-up, the painting has a touch of bad taste but also of sophistication.

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