Chardin's Tobacco Box

Chardin's Tobacco Box
Chardin's Tobacco Box
Anonim

Jean Baptiste Chardin during the 18th century he made some of the best paintings of French art within two genres that were much loved at the time. On the one hand, the costumbrista scenes that he knew how to endow with content and a message, such as in La governess or La Bendición. And on the other hand, we must highlight his mastery in painting still lifes, such as Still Life with Attributes to the Arts or the one we bring you here today en titledThe Tobacco Box.

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Chardin's Tobacco Box

It is a work whose date is not clear. For some in the 1760s, and for others much earlier, in 1737. But the fact is that it is a delicious work that keeps the Louvre de Paris.

The canvas exudes simplicity and everyday life. But it does not stop at the perfect representation of something that we can see on a table with our own eyes. Chardin's skill in still life was his ability to create authentic material objects, present in a given space. Objects we see and feel.

Something that he achieves by perfectly mastering all the resources and basic concepts of painting. In other words, he knows how to place each and every one of the elements in a clear way to create a harmonic composition, which he then deals with rigorously, playing with geometry (perpendiculars and diagonals are evident in thisframe). And in addition to that, he has mastery of light, which he knows how to treat to give objects a complete shape, so that even viewers can complete them mentally when we don't see them completely.

But not only that, another distinguishing mark of this painter's mastery was his ability to wrap everything in an atmosphere that somehow emits a message with the objects. Usually a message of a moral nature, just like he did with his customary scenes. For that reason, despite his obvious rococo spirit of painting, Chardin's art was also admired in certain circles of the Enlightenment era.

The truth is that at the time the art of Chardin was very controversial for some critics. And it was because on the one hand it was branded as insubstantial, empty and lacking ideals. But at the same time, he was capable of generating an incomprehensible attraction. Many critics felt admired towards these paintings without knowing very well why, in fact, for lack of better descriptions, they began to say that Chardin's art had "magic". Something that could also be related to the fact that this painter had barely received academic training, and his creations are the result of his innate talent for painting.

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