St. Cecilia's Church and Sean Scully

St. Cecilia's Church and Sean Scully
St. Cecilia's Church and Sean Scully
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The church of Santa Cecilia is the oldest building in the entire monastic complex of Montserrat near the city ofBarcelona. It is a small Romanesque temple originating in the mid-10th century in which Lombard forms can be seen and also inherited from the community of Benedictine monks who occupied it.

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Scully Chapel at St. Cecilia's Church

A church of great harmony and symbolic charge, in which at the beginning of the 20th century one of the greatest references of Catalan Modernism, the architect Josep Puig i Cadafalch author of such iconic works as the Casa Amatller or the Casa de las Punxes. However, the most modern intervention has occurred a few years ago, since it was inaugurated in 2015, and it involves the incorporation of various works by the Irish painter Sean Scully (1945 -), which to conceive his work has had as maximum references the Chapel of the Rosary by Matisse and the Chapel by Rothko.

Although it must be said that the result is different from both. In the case of Matisse, the truth is that he planned a purely decorative project in his chapel in Vence, in the south of France. While the work of Rothko in his Houston chapel, is terribly dark, while the work ofScully brimming with colour.

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Color and abstraction, since for this painter abstraction becomes the spiritual art of today. If we add to that his Catholic formation and his childhood memories with the colored windows that were in his grandmother's house, with these wickers he conceived this artistic work full of spirituality. He didn't try to tell anything, or look for symbolism, he just wants to convey that deep spirituality through colors and geometric shapes. He himself defines it by saying that he paints sensations

In total for the temple he has created six large-format works, in addition to three fresco paintings, three glass crosses, a high altar, four chandeliers and of course the stained glass windows, eight in total, to bathe in light and color the sacral enclosure. And the purpose has not been decorative but to create a space for meditation and for very diverse cultural proposals, from readings or poetry recitals to concerts. Although obviously all these activities are always linked to spiritual, religious and artistic matters. In fact, the space has been renamed the Sean Scully Institute of Arts and Spirituality.

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