Attic bird by Luis Masriera

Attic bird by Luis Masriera
Attic bird by Luis Masriera
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This work by Luis Masriera (1872 – 1958) is in the Museu Nacional de Catalunya in Barcelona, and it is a work that invites reverie regarding its meaning. The truth is that it could be a psychological self-portrait of the author himself, who on the date he made the work, the year 1898, would have a similar age to that of the boy represented.

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Loft Bird by Luis Masriera

Who is also in an attic looking at paintings, perhaps his own or those painted by his family, since Luis Masriera was the son of a painter and the nephew of a goldsmith. And in fact, throughout his life he also developed both tasks, in addition to other creative tasks as a set designer and even worked as a theater director. In addition to the fact that in his mature years he became very interested in cultural and museum management, at the same time that he was accumulating an interesting collection of oriental art.

In short, he was a most restless and creative character, so this image could be a portrait of himself in his younger years, when he still dreamed of his future creations. Some creations in which he evolved stylistically over time, because if in this early work he shows us as a realist painter, later on he entered the modernist aesthetics and also in the art decó, especially when he faced his creations with enamels and in his pieces ofjewelry.

The truth is that pictorially we have to consider this early work as one of his great achievements due to the many details and elements of interest that we discover. We can really feel the atmosphere of a loft, even the dust in the air or the dirt in the corners or in the cabinetry details highlighted in that old wooden dresser the boy is sitting on. He even manages to give us some idea of ​​the temperature, and we notice that the attic is quite a cold place, since he is wearing two pants.

The scene is simply that of a boy who dreams of painting, who goes to the attic where he is alone, where he can smoke and where he reflects on what he would like to create, while looking at a painting, of which we only we see its rear. Could it be a picture of himself that doesn't quite convince him and looks sideways at everything he doesn't like and wants to improve? Or, could it be a painting of another, perhaps of his father, and he looks at it sideways with a certain envy, longing to master the technique in the same way? The truth is that it is not known, and that is largely the charm of this work.

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