Clarté by Max Le Verrier

Clarté by Max Le Verrier
Clarté by Max Le Verrier
Anonim

The life of the French sculptor Max Le Verrier is almost like a novel. He was born in 1891 just outsideParisand was baptized Louis Octave Maxime Le Verrier, a name he would later shorten to sign his sculptures. It might seem that he was destined to dedicate himself to the world of creation, since his father worked as a jeweler and goldsmith. However, it was his own father who tried to get him away from it, and tried with all his might to make his son carry out other types of studies, especially those related to the world of agriculture.

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Clarté by Max Le Verrier

However, Max had no intention of pursuing that career, and as a young man he abandoned it. Not only that, but at just 18 years old he decided to go to England on his own. Although soon he returned, but his spirit made him embark on a new adventure, and he ended up becoming a pilot. A training that made him join the French air force from the start of World War I.

In the course of the war, his ship was shot down and for a while he was held by the Germans. So during his captivity inMunster(Switzerland) he began modeling clay figures. That would be the germ of the future sculptor, who thus discovered his vocation, and once the conflict was over he began to train in the matter.

So after returning to Paris he opened his own workshop, and fromthen he would elaborate some of his most famous works. Many of them represent animals, but especially female figures of gymnasts and dancers, like this famous Clarté from 1928, which is a bronze sculpture that is also a lamp. His own forms of the Art Decó current at the time were very successful, and during the decades of the 20s and 30s he did not lack commissions.

However, in the 40s another war was to come, now World War II. And for a time her house became a point of communication for the Resistance. However, he was almost arrested by the Nazis and had to flee Paris under a false identity. And he could not return to the French capital and his work until after the war was over. From then until his death in 1973 he continued to make sculptures under the tenets ofdecorative art, but he also did many other commissioned works, from office utensils to ashtrays. In short, a creator whose task was halfway between the artist and the craftsman. A work that continues today with a workshop that bears his name

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