Chasseriau's headdress

Chasseriau's headdress
Chasseriau's headdress
Anonim

This oil painting has the full title either Esther's Bath or Esther's Headdress, although on many occasions it simply It is titled as El Tocado. A work done around 1842 by the French painter Therodore Chasseriau (1819 – 1856). It is currently part of the romantic painting collection of the Louvre Museum in Paris.

The Chasseriau headdress

Chasseriau's headdress

The same year he painted itChasseriau, he exhibited it at the prestigiousSalon d'Automnein Paris. So, the painting, by the way small in size (45 x 35 cm.) in a time of gigantic format works, went practically unnoticed, and that the image is above all attractive.

Susanna in the bathroom of Chasseriau

Susana in the bathroom of Chasseriau

It is interesting to compare this work with others with a similar theme by the same author. For example, Susana in the bathroom or La Venus Marina. The first one he made was the Susana, and it is the best constructed painting of the three. While the Venus Marina shows the great influence it received from artistic culture, in the style of Ingres. And finally, his Esther is the least idealized of these figures, but she is the most voluptuous. Her nudity is very sensual and somewhat murky, of course reminiscent of the oriental nudes ofDominique Ingresas The Odalisqueor The Turkish bath.

Venus Marina de Chasseriau

Venus Marina de Chasseriau

The truth is that at this point in his production, Chasseriau begins to oscillate between the influence of Ingres and that of Eugene Delacroix. Both great artists, one with more neoclassical traits and the other without a doubt fully from the Romantic Art. In fact, in many of Chasseriau's paintings he gains the coloring ofDelacroix, though sometimes he makes it excessively heavy and almost vulgar. However, in this work of Esther's headdress the treatment of color is splendid, learned from some works by Delacroix such as Women of Algiers.

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